![]() Heard are George swirling water in a metal bathtub (beginning at 0:18) Rolling Stones Brian Jones clinking glasses, supplying party chatter and playing the ocarina John blowing bubbles in a bucket through a straw and shouting off-mike in the echo chamber studio staff rattling chains in a metal tub and ship’s bells and a manic John mocking Ringo’s every measure the second time through in to a hand-held mike plugged into a Vox guitar amp.Īll who were not working the controls, including the Beatles, George Martin, Geoff Emerick, Mal, Neil, Alf Bicknell, Brian Jones, Patti Harrison and Marianne Faithfull joined in the final chorus. A raid of the Studio Two trap room allowed for two additional and separately taped tracks – sometimes combined together and sometimes split. Tape reduction made room for the “Goon” type sound effects. The instruments were recorded a half-step higher and vocals a half-step lower than now heard. Ringo’s vocal and all four Beatles singing backing vocals are all heard right. The basic tracks contain John’s Jumbo, George’s tambourine, Ringo’s drums and Paul’s bass – all heard left. Lennon: Always thinking of him, you see, at times like this. McCartney: Yeah, the bit… ‘Dut-ta-da, da-dut-ta-da.’ Lennon: And it made sense to make it into… Lennon: And wasn’t the other bit something that I had already going, and we put them together? I seem to remember, like, the submarine, the chorus bit, you coming in with it. Matthew: John, earlier before we started recording, you said it was in effect written as two separate songs. ![]() I heard a funny sort of story that you used to perform this to your nephews. And the only way to do that would be to have it so kids could understand it, and anyone could take it on any level. McCartney: We just sort of thought, we have to have a song. What were you setting out to write? I mean, did you think of a song for Ringo in the first place, or what? I suppose I thought of the idea and then John and I wrote it. McCartney: No, it’s the old patty, you know. ‘Yellow Submarine’ - a children’s song with a touch of stoner influence, which Ringo still wows audiences with to this day.Brian Matthew: Who was principally responsible, Paul or John? "One twilight evening, lying in bed before dozing off, I came up with a song that I thought would suit Ringo and at the same time incorporate the heady vibes of the time. Hearing Lennon's moody starting point for the track won't change it's legacy however, with Paul McCartney recalling it's origins in a foreword for Revolver: Special Edition: ![]() I said to Paul, ‘I always thought this was a song that you wrote and gave to Ringo and that John was like, ‘Oh, bloody ‘Yellow Submarine.’ Not at all." Martin recently told Rolling Stone magazine he had no clue there was a vault of unused demos from the album: "I had no idea until I started going through the outtakes." The pair made use of the "de-mixing" technology developed by Peter Jackson’s audio team for the 2021 documentary Get Back. Giles Martin, the son of The Beatles' original producer George Martin has produced the new version, working together with engineer Sam Okell in stereo and Dolby Atmos. (Photo by Keystone-France/Gamma-Keystone via Getty Images). ![]() John Lennon's demo shows how the song could've been very different. You can listen to the outtake to 'Yellow Submarine' below. Revolver: Special Edition features 31 outtakes and three home demos from the Beatles’ recording archive as well as a four-track EP with ‘Paperback Writer’ and ‘Rain’. ![]() The demo has been bootlegged - or even rumoured for that matter - making the album's reissue all the more enticing to die-hard Beatles fans when it hits shelves on 28th October 2022. ![]()
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